Saturday, August 18, 2001

City of Angels: Historical Fiction Legal Thriller

City of Angels, Tracie Peterson and James Scott Bell's first book of the Shannon Saga, introduces 23-year-old Kit (Kathleen) Shannon, a young woman who desires to practice law. Only problem is, it is 1903 Los Angeles (the "City of Angels"), where the courtrooms are a man's world.

Orphaned Kit arrives by train from the east with a law certificate from the Women's Legal Education Society of New York, believing that it is God's will for her to practice law. She also wanted to meet her great-aunt Freddy, possibly her only living relative, and so traveled to Los Angeles, which, she soon learns, is a far cry from the more civilized East Coast. Even before setting foot in the city, Kit is advised to go back East; women lawyers are not accepted here. Aunt Freddy, a woman of high-society, takes to the girl but, finding her woefully inept in social graces, attempts to transform Kit into a "respectable" young woman who needs to find a husband ASAP!

Kit is not so easily distracted, however, and after many discouraging setbacks, lands employment with none other than the famous Earl Rogers (an actual historical figure), criminal defense lawyer. Assigned to a case of great notoriety, she struggles with her convictions: should she defend a client she suspects is guilty? Kit finds solace and strength through God's word and the memories of her father, a minister who died when she was eleven and whose Bible is all she has left from him.

Many people despise Rogers, whose clients represent the baser elements of society, hardened criminals as opposed to those of high society. Kit desires to help those who lack money yet have a good legal case, in contrast to her boss, a man who only takes those with enough money, but will defend and represent his clients as innocent whether or not they actually are. Earl Rogers and Kit Shannon learn from each other along the way, as Kit learns from Rogers the important parts of a trial lawyer's work -- such as jury selection, opening statements, and cross-examination -- while he comes to appreciate her skill as well as her faith.

Much of the story reads like a contemporary thriller, building upon the various characters by slowly providing more and more background information as the plot intensifies. Like a mystery, too, the reader comes across clues, early on, that build up towards the great murder trial and its conclusion. Soon Kit finds herself alongside Rogers taking on the corruption of the city, in a battle against blackmailed judges and the conniving lawyer Sloate, while also taking on the man who controls and would destroy her Aunt. The trial scenes are riveting, as the courtroom drama unfolds and Kit proves her skills as a quick-thinking lawyer.

Through Kit's experiences, the young Los Angeles of 1903 (population of only 105,000) comes alive, a city not yet overcrowded or polluted like the East; a place where city meets nearby country and desert. Kit finds a friend in a young Mexican girl, one of Aunt Freddy's servants, and enjoys new food such as oranges and tamales. She even experiences her first ride in a horseless carriage, a very noisy and dirty experience. Yet she cannot imagine, as friend Ted Fox does, the coming days of flying machines.

Another interesting historical figure is actor John Barrymore (who later became a successful star of silent movies and early talkies, and is actress Drew Barrymore's grandfather), who has a minor part as one of Earl Rogers' friends. From the east, he is appearing in a play in Los Angeles (Barrymore in fact later lived in Los Angeles, where he died in 1942), and tells of other family members such as his brother Lionel Barrymore. He also has a romantic interest in Kit.

The first in a series of three books (the next two books are currently in progress), City of Angels includes an Authors' note about the history of the court system in America, including the contributions Earl Rogers made with visual presentation of evidence. As portrayed in the story, Rogers was indeed skilled with medical terminology and once presented a jar of human intestines in a courtroom. The authors also note the practical non-existence of women trial lawyers of the time.

Tracie Peterson and James Scott Bell have together written a great story, historical fiction plus legal thriller in the style of John Grisham. Tracie Peterson brings another story in a long line of historical fiction family stories, and James Scott Bell, a former trial lawyer, brings his legal writing experience from previous legal thrillers such as Final Witness.

Wednesday, August 15, 2001

John Wycliffe's English Bible Translation: Glimpses of Truth

Though most English-speaking people today take English Bible translations for granted, the Bible was not always available in the peoples' common language. Indeed, the medieval Catholic Church held a tight grip over English peasants, allowing the Holy Scriptures to be printed and read only in Latin: which by the late-fourteenth century was only known by the well-educated, an elite club of Catholic clergy and English noblemen. Into this scene entered John Wycliffe, who made the first translation of the complete Bible into English, a first step towards the later King James Version of the early 17th century.

Yet for many years, English people were persecuted, even killed, for possession of a Bible in English. Such is the setting of Glimpses of Truth, a historical fiction novel by Jack Cavanaugh, set in England of 1384. Thomas Torr, an English peasant and probably the illegitimate son of Lord Harborough, has been educated and now works as a copyist and translator for John Wycliffe. He teaches Felice and her father, Howel, how to write English letters so they can also copy scripture, and soon they are also busy writing scripture verses on pieces of cloth--something so strange that many peasants think the writing a type of magic incantation with power to effect miracles.

Glimpses of Truth effectively captures the spirit of medieval England, showcasing several different characters, both peasants and nobility, in an adventurous story of romance, betrayal, and persecution. The peasants, including a revolutionary named Cale, distrust the authorities, and with good reason. Thomas, raised among the peasants but educated like the nobility, lives alternately among both worlds. Though in love with Felice, he struggles with pride, seeking out great opportunities such as an Oxford education as well as praise from Bishop Pole. John Wycliffe and others warn him to "beware the bishop," but Thomas must learn things the hard way.

John Wycliffe is the only historical character in the story, having a minor part interacting with Thomas and other copyists in Lutterworth, an actual English village in which Wycliffe operated one of his scriptoriums. Thomas, along with his guests Felice and Howel, also witness Wycliffe's last sermon in December 1384, when Wycliffe collapsed, dying a few days later. Reference is also made to the Lollards, itinerant preachers that went about the countryside preaching, reading and teaching Wycliffe's translation to the common folk. Other highlights include entertaining scenes of Christ's Mass, the medieval version of our Christmas, and its customs such as "blind man's bluff" games and the "Lord of Misrule" (in which the people voted one of their own to be the ruler for a day).

The book includes several pages of additional information from the author and another commentator, with explanations as to which parts of the story were historical versus fiction. An overview of English history relating to the translations of the Bible, from Wycliffe's first translation to the one still familiar today, the 1611 King James translation, is also included. As Cavanaugh explains, Wycliffe's translation, though English, was very Latinized, even in its grammar and syntax and when English idioms would have better expressed the words. Thus, Glimpses of Truth includes several parallel versions of scripture that show the original Latin text and the King James English equivalent. The characters also quote from the later translation, for ease of understanding by modern-day readers.

Glimpses of Truth is the first of a series of four books about the early English Bible translations, but the following books have been delayed. The author's second book, Beyond the Sacred Page, is currently in progress and will hopefully be available within the next few months.

Saturday, August 11, 2001

Only the River Runs Free: A Story from 1840s Ireland

Only the River Runs Free, the first book in Bodie and Brock Thoene's "The Galway Chronicles" Series, tells the plight of the peasant Irish Catholic tenant farmers of Ireland, struggling under the English protestant landlords that rule their country. It is a bleak time indeed, in which the English own the land, the schools and the government, making their living off the exorbitant tithes and taxes they eke out of the poor farmers. From the time of England's Great Empire, which included control over South Africa and Australia as well as Ireland, and a time contemporary with Charles Dickens' novels, comes a wonderful tale of ordinary people living in a land where, as the saying goes, "only the river runs free." Yet Ireland of the 1840s is not that far gone: the Galway Chronicles explain much of the underlying problems still rampant in Ireland today, and the reasons for the immigration of so many Irish to the United States during this time.

The story begins in 1827, when wicked Marlowe poisons his brother-in-law, "the Burke", and attempts to kill Burke's only heir, eight-year-old Connor Burke. Thus acquiring the Burke's estate, Uncle Marlowe and his son William begin their reign of oppression over the poor Irish farmers of Ballynockanor, Galway County. John Stone and Constable Carroll, the Marlowes' friends, are equally wicked, men who will readily give false testimony or rape any woman caught outside after curfew.

Thought to have died beneath the ice, Connor Burke has lived in exile for fifteen years when he quietly returns to his homeland on Christmas Eve, 1841, as the unassuming Joseph Connor. Studying in preparation for the Catholic priesthood, Joseph boards with Father O'Bannon and gets to know the people of Ballynockanor. Only Molly Fahey (formerly Burke's servant), now "Mad Molly," holds the key to the truth, including Connor's legal rights. But the tragedy also took her sanity. Yet she had prophesied that a miracle would come to Ballynockanor that day; could the arrival of Joseph Connor be that miracle?

The Donovan family of Ballynockanor has seen its share of tragedy by the time they meet Joseph. Mother has died, and eldest daughter Kate, at 23, is already dead in her spirit, waiting to join her husband and child taken in the fire that left much of her body permanently scarred. Da (Tom Donovan) also weeps for Kate, wallowing much of the time in the drink.

The rest of the family, including Kevin (age 18), Bridget (15), Martin (11), and Mary Elizabeth (age 6), do their part as well as they can, going about their daily school and/or work activities. Even the children face persecution, as they daily endure the English National School, the hated place that indoctrinates Irish children with shame for their heritage while extolling the great English. Thus an economics class, though teaching the concept of value and what makes something valuable, carefully avoids the topic of land and its worth. Students must say "I am a happy English child" and punishment involves reciting 100 times "a child of the dust must not be proud."

The family must stick together for their very survival, cooperating with the authorities and allowing all injustices, lest they lose their homes and livelihood. For English law also decrees that all family members must bear the punishment for the wrongdoings of one of their own. When an Irish Catholic son is party to violence against the English Protestants, he is sent to the prison in New South Wales; his family's home is promptly leveled to the ground, every brick of the foundation uprooted. Such families, allowed to sell the lumber that remains, typically use that money to buy passage to the United States.

Ribbonmen roam the countryside, causing general mischief such as branding cattle and robbing the landowners, trying to violently overthrow the oppressive landlords. Joseph Connor urges a peaceful resolution through Repeal (laws to protect tenants' rights and prevent unfair rents). Yet it seems to Joseph that in everything he fails. When he should warn, he fails to do so; and when he seeks peace, others call him a traitor. He loves Kate, yet Kate's heart is cold and dead to love; she will not let any man love her. Finally, when the wayward Bridget Donovan, with her lofty ambitions and self-interest, becomes the family prodigal child, Joseph vows to do all he can to bring her home, praying he will not fail in this as well.

A Gold Medallion Book Award winner (1998), Only the River Runs Free is a heartwarming story, the first in the Galway Chronicles series about the ordinary people of Ireland in the 1840s and their dream to be free from England's rule. The characters and the town itself come alive through the many splendid details of daily life with the Donovan family.

Saturday, July 28, 2001

As Sure as the Dawn: Early Christians in Rome

As Sure as the Dawn, Francine Rivers' conclusion to the three-part "Mark of the Lion" series, continues the story of early Christians in Ancient Rome of the late 1st century A.D., this time telling the story of former gladiator, Atretes, and his return to his homeland of Germania (modern-day Germany).

Hadassah, the Christian heroine of the first two books of "Mark of the Lion", is martyred for her faith early in the book. Thus begins a new chapter in the "Mark of the Lion" saga, this time with Atretes and another young Christian woman, a widow named Rizpah. Atretes' baby by Julia was not killed after all, Hadassah tells Atretes; she had rescued the child and given him to the apostle John in Ephesus. Desiring his son, Atretes finds the apostle and learns that John has given the baby to Rizpah. Determined to get his son back, he gets more than he bargained for when Rizpah, who loves the babe as her own, refuses to leave.

Restless with his newfound freedom after ten years of being trained to fight and act like an animal in the arena, Atretes desires to return to his homeland. But he does not know the way home, and lacks the money for such a long journey (having spent all his fortune on a villa near Ephesus). His former instructor as well as the many amoratae (gladiator "groupies" or fans) would gladly see him return to the arena, the only thing he really knows. In desperation Atretes finally accepts help from Rizpah.

Primarily a travel-focused book, As Sure as the Dawn includes several maps showing the different parts of the long trip. The story, likewise, is actually composed of four distinct segments: Atretes' life before leaving Ephesus, followed by the first leg of the journey, by sea to Rome. Later, Atretes and Rizpah, along with a retired, Roman centurion named Theophilus, continue the journey by land, north through Italy, over the Alps and into barbarian country, finally arriving among the Chatti tribe, where the last part of the story takes place.

Along the way, Atretes fights against the continual presence of the Christians, especially despising Theophilus, a Roman: for he also hates Rome and anyone or anything affiliated with Rome. His pride and anger continually get him into trouble, leading up to very tense and exciting scenes in the capital city itself, when it appears indeed that Domitian will find Atretes and send him back to the arena. Many times throughout the adventures, Atretes tries Rizpah's patience (and that of the readers) with his foolish, stubborn ways, while in spite of everything, Atretes and Rizpah feel increasingly attracted to each other.

Some parts of the novel seem to drag too much, overloading the reader's level of frustration while holding back too much on Atretes' gradual change. Will he ever learn, will he ever change? Yet just when, seemingly, the story has gone far enough in one direction, the plot abruptly shifts, and slowly the characters grow and mature from their experiences.

Though overall a historical fiction novel, the last part in particular resembles more of a "spiritual warfare" story in the style of Christian author Frank Peretti. A tale of its own (quite different from the earlier pages of As Sure as the Dawn), this story involves the dark spiritual forces of the pagan Chatti. Like other nations untouched by the gospel (even with today's primitive savages in dark parts of the world), the real question is: which god is more powerful? The Chatti's power-obsessed, demonic priestess, a young woman named Anomia, opposes Atretes' and his new religion and tries to rally the people to their native god, Tiwaz.

Though primarily a combination romance and spiritual warfare story, the historical setting of early Rome brings out interesting details of the Roman Empire of the time (A.D. 80). Reference is made to the Romans' destruction of Jerusalem in 70 A.D., along with mention of the more recent destruction of Pompeii by volcano (A.D. 79), which the ship passengers can observe along the coast of southern Italy. Also mentioned is the history of conflict between Rome and the Germanic tribes, and the Romans' practice of enslaving German captives (as in the case of Atretes). The Chatti were an actual Germanic tribe, a particularly difficult foe for the Romans, that also fought against the Hermunduri, another actual tribe mentioned in As Sure as the Dawn. The story is replete with several Roman words, such as triclinium, aureus (a type of coin), and the ludus; a glossary at the back explains the meanings of these and many other words of first-century Rome. Rizpah, Atretes, and Theophilus experience both the decadence of the Roman public baths and the peaceful, if not deathlike, hiding place of the catacombs, all bringing alive the world of Ancient Rome to modern-day readers.

Saturday, July 21, 2001

Overview of The Williamsburg Novels (Elswyth Thane)

The Williamsburg series of historical novels by Elswyth Thane (1900-1981), originally published in the 1940s and early 1950s, consists of seven books spanning almost 170 years of the fictional Day and Sprague families. The books start with the American Revolution and end during the first part of World War II in England.

The Williamsburg series of historical novels by Elswyth Thane (1900-1981) consists of seven books spanning almost 170 years of the fictional Day and Sprague families. The books, starting with the American Revolution and ending during the first part of World War II, are as follows:

Dawn's Early Light
Yankee Stranger
Ever After
The Light Heart
Kissing Kin
This Was Tomorrow
Homing

Though named for Williamsburg, only the first two stories center around Williamsburg (or even greater Virginia), a Williamsburg in its hey-day at the time of the American Revolution (Dawn's Early Light) but already relegated to a lesser status by the time of the Civil War (Yankee Stranger), where much of the action takes place in Richmond, the new Confederate capitol.

The last five books begin a generation after Yankee Stranger, in 1897, and continue uninterrupted through 1941, with recurring characters from one book to the next while new, younger characters are introduced along the way. These books depart sharply from the first two, in that the books are continuous from one to the next without generation gaps, and, more importantly, most of the action takes place in England, with some events in New York City. Only a few family members, in the background, remain in Williamsburg, while others take root in England. Also, given the definition of historical fiction as fiction set during times before the author's lifetime, and that Elswyth Thane was born in 1900, technically the last four books do not qualify as historical fiction. Indeed, since Thane was writing during the late 1940s and early 1950s, the last few books were written from a fairly recent time-perspective. Of course, to today's readers the books stand as real historical fiction, about times now at least 60 years ago, without the familiarity the books undoubtedly had to Thane's contemporaries.

Dawn's Early Light tells the story of Julian Day, a young British man newly arrived in Williamsburg, Virginia, who soon meets John Sprague. With the colonies in a rebellious mood, Day, who had not given the matter much thought, finds he must soon choose loyalties; does he belong here, in Virginia with the Spragues, or back in his old country? Colonial Williamsburg also hosts the lower class, the down-trodden of society, including young Tibby Mawes and her twin brother Kip, who Julian first meets when they are about nine years old--in the company of an abusive, alcoholic father. The father is soon removed from the picture, and Kip becomes one of Julian Day's students. Tibby eagerly desires schooling too, but since that is not allowed for girls, Julian arranges for her proper education as a young lady of the higher social class. Over the years, Tibby and Julian become closer, though Julian, twelve years older than Tibby, has his eyes set on other women. Set during the American Revolution, Dawn's Early Light also includes interaction with real historical figures such as the French General Lafayette, and historical events including the British invasion of Williamsburg.

Yankee Stranger, a Civil War romance, tells of young Eden Day, great-granddaughter of Julian and Tibby Day, and her romance with Yankee war correspondent Cabot Murray. The book deals intensely with the sorrows and hardships of war-ravaged Virginia, including detailed descriptions of the women's daily life tending to the wounded in Richmond. The historical elements of the story also bring out the fascinating and very true situation of espionage, including women's role as spies that hid notes in their hoop skirts.

By the time of the Civil War, members of the Day and Sprague families have married each other, and then first cousins married each other, for some very close blood ties between the two families. A secondary story thus relates the love between Sedgwick Sprague and Sue Day (Eden's sister), a love forbidden because they are double first-cousins, and a story that will be often recalled in the later books.

The last five books, starting with "Ever After" (set in 1897-1899), tell the stories of Eden Day Murray's children, especially Bracken and Virginia, and Sedgwick Sprague's daughter Phoebe. The British Campion family, with Dinah, Arthur, and Oliver, also marry into members of the Murray and Sprague families, for many interesting relationships among the many cousins on both sides of the continent. Real historical settings include the Spanish-American war, World War I, and the early years of World War II in Great Britain, detailing the lives of war correspondents and generally upper-class families of England.

A distinct anti-German, pro-British sentiment is woven into the World War stories particularly, no doubt reflecting popular British sentiment of the time as well as Elswyth Thane's own views--as one who lived many years in both New York and England during this time. Social class distinctions also pervade these later books, with some hint of snobbery to lower classes (at least as viewed by modern-day middle-class Americans); yet such attitudes probably do reflect actual views and practices of the wealthier families of the early 20th century.

Perhaps because of these realistic qualities, along with the extensive family tree charts (printed in later editions of the books), the characters of the Day-Sprague-Campion extended family do come alive, sweeping the reader into the midst of their stories and their lives.

Of these last five books, some of the strongest characters include Phoebe Sprague, who grows up in Williamsburg but spends much of her adult life in New York and England (The Light Heart), as well as Gwen and Dinah (Ever After). The male characters seem less developed, or perhaps it is just that they follow standard, more predictable patterns, especially the politically-charged news reporters of the family: Cabot Murray, son Bracken Murray, and Johnny Malone, all of whom, aside from romantic interests at certain points of their lives, apparently live for the latest news all over Europe.

The last book, Homing, stands apart from the preceding two in the series (Kissing Kin and This Was Tomorrow, the two weaker links in the series), with stronger characters including Jeff (Phoebe's son) and Mab (Virginia's granddaughter) and a great story which links the latest generation back to the first story (of Julian and Tibby) along with an interesting backdrop of early World War II in England, coming full circle back to Williamsburg, Virginia. Particularly interesting, from a historical perspective, is the account of the British evacuation of children from London, including its impact on the children as well as the country-dwelling adults, and their ever-present fear of Germans parachuting into Britain.