Monday, December 22, 2003

Shadows of the Canyon: Life with the Harvey Girls

Tracie Peterson’s "Desert Roses" series begins with Shadows of the Canyon, set in Arizona in 1923. Alexandria "Alex" Keegan has worked the last few years as a Harvey Girl in the prestigious El Tovar hotel near the Grand Canyon, hoping to save enough money to leave and take her mother with her, far away from her philandering father. She also enjoys her close friendship with rancher Luke Toland.
It is campaign time that summer, with several Democratic candidates gathering at El Tovar to begin their attempts to win the White House. Through the local workers, mainly Alex and Luke, and the wealthy visitors, Shadows of the Canyon shows an interesting time and region, the early years of the Roaring Twenties in the American Southwest.

The history of this story includes the last days of President Hoover’s administration, including his sudden death in early August (possibly from food poisoning, though many historians today believe he died of a heart attack). The El Tovar was, and is, an actual hotel, a luxury hotel far nicer than the standard train-stop restaurants. By 1923, Fred Harvey himself has passed on, and the Harvey business is in its heyday.

Beyond the basic historical setting, though, is a good page-turner, part murder-mystery and thriller, that could occur in any setting. The main relationship theme is common enough: a young woman distrustful of men, who must learn to trust. A secondary plot involves change and maturity in another young woman who at first appears as a rather flippant, superficial and unlikable character.

The main characters, Alex and Luke, are well developed. The novel also shows a good progression of character for Valerie Winthrop--from rich, spoiled girl to one broken in spirit when events get out of her control. Other characters, such as the father Rufus Keegan and crazy-man Joel Harper, seem more exaggerated and the stuff of movies, larger than real-life. Still, they provide suspense and a quick-moving plot, the classic villains in a story where good must ultimately win.

Shadows of the Canyon works well as a stand-alone novel, yet it is the first in a series about unrelated "Harvey Girls" in pre-World War II American West. This first story keeps the action going, then wraps up all the loose plot ends in a somewhat lengthy denouement. This book is a fun read, and a great start to an interesting series.

Tuesday, November 25, 2003

Daughter of the Loom: New England in the Industrial Age

Tracie Peterson and Judith Miller’s new series, Bells of Lowell, begins with Daughter of the Loom, set in 1828 Massachusetts. Lilly Armbruster has lived in East Chesholm, which has recently been renamed Lowell and turned into a textile factory town. She misses the countryside, and blames the mills for taking away her father and all she once had. Left with nothing, Lilly takes a job working at the mill and shares a small boardinghouse room with 8 other girls. Yet in her heart, Lilly purposes to sabotage the mills, carrying out God’s vengeance to remove the industrialists.

Having recently visited the northeast and the early historic mills (Slater Mill, in Northern Rhode Island), I enjoyed the regional and historic background of this novel, with its regional references to Pawtucket and the rivers that powered the region (southern Massachusetts and northern Rhode Island) into the Industrial Age. Daughter of the Loom takes place some years after the first mill was established in 1790; the technology has been developed and now is expanding into areas such as Lowell. Kirk Boott, who started up the mill in this story, appears as one of the minor characters, and we experience this historical figure as seen by Lilly’s old beau, Matthew Cheever.

Daughter of the Loom mentions, at least superficially, some of the problems of the time—cheap labor from foreigners (such as the Irish), long working hours, the heat and humidity of mills that were kept closed with no windows opened, child labor, and sexual harassment of the young women. The descriptions are relatively mild, though, and lack great details of what that life must have been like. Yet we do see both sides; in spite of worker exploitation and literal sweatshops, many among the common people eagerly embraced change and the new economic opportunities the mills brought. Women could find work to help their poor families, and the paycheck seemed more reliable than uncertain farm crops. The town also provided greater social interaction, including annual dance balls eagerly anticipated by the mill girls.

The story moves slowly at times, and the minor characters are not well developed. Much of the time, Lilly is embittered and cynical, not always the easiest person to like. Yet perhaps because of these qualities, the story is more believable, with characters behaving within the constraints of 1828 – in contrast to some of Peterson’s previous series with great page-turning action and events that really would not have happened. Daughter of the Loom serves well as a stand-alone novel, with most of the plot threads resolved by the book’s end. The book is also a great introduction for the future installments, each of which focuses on different main characters -- not yet introduced at this time – and their experiences in the New England Industrial Revolution.

Wednesday, October 15, 2003

If I Perish: Historical Fiction Review

Reviewed by Rita Gerlach

Deborah Turner’s talent as a writer shines through the pages of her novel If I Perish. She took on the daunting task of writing a fictional account of the Biblical story of Queen Esther. Through vivid narrative and true-to-life dialogue, If I Perish is an excellent story that transports you thousands of years into the past, to the world of a young Jewish girl called of God to save her nation.

If I Perish, following the Bible’s account, is filled with intrigue, courage, and romance. The book opens with King Xerxes’ feast. He calls to him his wife Vashti, who refuses to obey the King’s command. Though the King loves his wife, he is forced to denounce her as his queen and send her away.

Pining away for Vashti’s love, the King slips into a depression. His ministers suggest he seek a new queen among the women of his kingdom. The young virgins are brought to the palace and placed under the watchful eye of Hagai the eunuch in the "House of Women". Here the girls are groomed and taught the graces most desirable to the King for a purification period of one year. Among them is Hadassah, a young beauty full of grace and charm, and niece of Mordecai the Jew.

Hagai sees something different in Esther, and she wins his favor. He takes her "under his wing’ so to speak, and teaches Esther all she needs to know in order to win the King’s heart. Unknown to the eunuch is Esther’s Jewish heritage.

Deborah Turner writes with sensitivity the meeting between King Xerxes and Esther. The King falls in love with Esther, and Esther returns to the King a tender love he never experience with Vashti. In If I Perish the author conveys the attitude that men had in that time period toward women, that a woman was a man’s property and subservient to men. But the King finds this is not at all true for his Esther. She becomes his confidant and lover, his friend and most loyal subject. Esther is chosen as Xerxes’ wife and queen.

Esther was advised by her uncle Mordecai not to reveal to the King her Jewish origin. Mordecai has grieved the loss of his dear Hadassah (Esther), yet believes that there is a great purpose for Esther.

Ms. Turner depicts Haman, the prime minister, as the Bible describes...an evil, self-serving man, bent on gaining all the power he can to the point he believes it is his right to be King. Haman hates the Jews, and his hatred is further flamed when Mordecai refuses to bow to Haman. Haman then persuades the King to rid the kingdom of all Jews, young and old, man, woman, and child. Haman does not know that Esther is a Jew and Mordecai’s niece.

The decree is issued. Mordecai becomes a target of Haman’s hatred, and Haman has a gallows built by another Jew, a gallows he intends for Mordecai. When Esther receives word of the decree, she faces the most challenging time of her life. She must speak to the King and reveal that she is a Jew, and then reveal Haman’s plan. No one, including the queen, could appear before the King without being summoned by him. To do so meant a sentence of death.

Esther risks her life to save her nation by entering the King’s throne room. She knows the King trusts Haman, but in spite of that, she follows through on a plan that had to be divinely inspired.

Before she goes to the King, Esther orders all Jews to hold a fast for three days and nights. She enters the fast as well with her servants

On day three, Esther dresses in her best royal attire. She then enters the King’s throne room looking beautiful and radiant. Xerxes is smitten by her each time he beholds Esther. She stands in the inner court of the palace, fearing for her life, not knowing what the King will do. Xerxes holds out his scepter. She is free to speak to him. Esther asks the King and Haman to attend a banquet she will have prepared. Haman is proud the Queen has requested his presence and has no idea what is in store for him. After the banquet, Esther asks the King and Haman to attend another banquet the following night, where she will reveal her secret.

At the feast, Esther tells the King she is a Jew, and about Haman’s plan to destroy her people. Esther begs the King to spare the Jews and to delve out punishment upon the evil Haman. Haman begs for his life. Xerxes is extremely distraught, and walks out to the garden, no doubt to think over what has just been revealed to him. He had trusted Haman all this time, only to discover the cruelty and hatred of a plan to destroy the Jews along with his beloved Esther.

While Xerxes is gone, Haman begins employing Esther for help. He goes so far as to lay his hand upon her, and when the King enters, Xerxes believes Haman was attempting to force himself on Esther. He then orders Haman’s execution...to be hung upon the gallows Haman had built for Mordecai.

If I Perish is a book that is a reminder that self-sacrifice for the good of others is not only honorable but also far-reaching. If you have never read the Biblical account, If I Perish compels the reader to do so.

I thoroughly enjoyed reading this novel and highly recommend it. In a world where most literature seems to be the same authors and the same kinds of stories, If I Perish is a refreshing change, with a fresh voice from a new writer who has great potential to take her readers into a new place. In your mind’s eye, you see the luxurious palace, and the richly colored silks that adorned Esther. The role of the eunuchs is made clear to the reader, for they, too, were men who sacrificed much in order to fulfill their duty to the King.

If I Perish reminds us to stand up for those in need, those in danger, and those who are persecuted. I give this book five stars!

If I Perish is available from Publish America and all online bookstores.

Reviewed by Rita Gerlach

Rita Gerlach is the author of three romantic historical novels. All of which have received five star reviews. The Rebel’s Pledge is her first book, a story of courage and love in colonial times. Thorns In Eden and The Everlasting Mountains are companion novels, set during the rise of the American Revolution and the Indian War of 1774. Both books have received rave reviews. She is currently writing another historical novel, The Sacrifice, which she hopes to complete by next year.
Reviewer's web site: http://users.starpower.net/rpkg/index.htm
Reviewer's email address: rpkg@erols.com

Monday, September 15, 2003

Zion Covenant: Vienna Prelude and Prague Counterpoint

Bodie Thoene's popular Zion book series includes the Zion Covenant series, published after the Zion Chronicles series, with a setting prior to the Chronicles. Beginning with Vienna Prelude, we experience the horrors of Nazi Germany in the late 1930s, not long before World War II. The first two books in the series vividly describe the political and social climate that allowed the Nazis to invade Austria and then Czechoslovakia.
Amidst this background is an interesting story about Elisa Lindheim, a Symphony Violionist who happens to be half-Jewish. Though she and her family are baptized Lutherans, and Elisa bears the Aryan blonde traits from her mother's side, she has no rights in the Nazi belief system. Elisa's friend Leah, concert celloist and full Jew, lacks false identity papers and is at even more risk.

Vienna Prelude vividly describes life in Austria immediately before the Nazi invasion, complete with the details of that takeover and the seemingly shocking apathy of Europe. Prague Counterpoint immediately follows, with the early days of Austrian occupation, streams of refugees fleeing into Czechoslovakia, and Hitler's scheming to conquer that nation (which would fall several months after Prague Counterpoint ends).

Other characters include Elisa's Jewish father Theo Lindheim. Also, Elisa's old boyfriend-turned-Nazi Thomas Von Kleistman, contrasted with a daring young American reporter, John Murphy, provide a background love interest. A rural Austrian family illustrates the tension experienced even within families, the division brought by Hitler, that would set a son against his brother and his parents. Yet perhaps there is hope for Otto Wattenbarger, the Nazi son who appears more prominently in the second book.

Several historical figures from the time have minor roles, especially the then-out-of-favor, banished Winston Churchill. Yet even American celebrities Charles Lindbergh and Clark Gable have guest appearances, for a greater, international view of the times.

These two books provide exciting adventures which make the historical period even more interesting, while providing great details of historical research. Prague Counterpoint also addresses the "old-news" story (having begun in Germany even before 1938) of the persecuted church in Germany, the Nazi efforts to remove Jewishness from the state church, even their plans to sterilize imperfect adults and kill defective children.

Monday, September 1, 2003

I'll Watch the Moon: An Inspiring Story from Ann Tatlock

It is 1948, and Minnesota (and the rest of the country) is in the midst of a polio epidemic. The situation becomes personal for 9-year-old Nova Tierney when her 14-year-old brother Dewey contracts the dreaded disease. Both children enjoy astronomy and watching the night sky – so when Dewey despairs, looking always at a hospital ceiling, Nova promises him that she will "watch the moon" for him.

Ann Tatlock’s inspiring novel, I’ll Watch the Moon tells a woman’s reminiscences of her life growing up in the post-World War II Midwest. Nova and her brother and mother live with Aunt Dortha, who runs a boarding house in St. Paul, MN. Beyond the close friendship of brother and sister, though, lies a deeper story about Nova’s mother; boarder and Holocaust survivor Josef Karski; and a child who longs for a father.

As with earlier Tatlock novels (such as All the Way Home), this fourth novel is told in a casual first-person style. Nova views the story as an adult piecing together all the pieces: her own memories, plus what her mother later told her before dying of cancer. We are easily drawn into the story and care about the characters, while learning some about polio epidemics, a scary thing before the vaccine was developed. As one who cannot remember the time, it was interesting to learn that – before people knew what caused polio – it was associated with summer activities, especially water and swimming areas. The characters also think the polio epidemic will end when the frost comes, as though it were caused by mosquitoes and killed off by the cold weather. The historical background also tells of the origin of the March of Dimes and FDR’s involvement, as a polio victim himself.

For a Christian novel, the religious element is weak (perhaps to reach a non-Christian audience?). I’ll Watch the Moon contains plenty of references to God, with some attention to the term Providence and its meaning -- but little mention of Christ or Jesus. An emotional incident relayed from Josef to Nova’s mother suggests that a Jewish (non-Christian) Rabbi found hope and something greater than himself (in his circumstances, the Holocaust) – and that is a major lesson learned. The story never goes beyond that point, toward any discussion of Christian beliefs or faith.

Still, this novel has an enjoyable story, a time-slice look at ordinary people in middle America, in the not-too-distant past. The characters, mainly adults, grow and learn from their experiences. The plot brings about a rather surprising and abrupt twist near the end, to show that real life, as in the story, does not always play out the way we expect it to.