Review: The Wolf Hunt

(Forge; 384 pages; 2001) The Wolf Hunt, by Gillian Bradshaw
Reviewed by Lisa Jensen

A scrupulous and compelling work of historical fiction spiced with a dash of fairy tale, this wonderful Gillian Bradshaw novel is in a category of its own—medieval magic realism. Based on a 12^th Century "lay" (or troubadour romance) by French poetess Marie de France, the story presents a fantastical premise—a werewolf story— within the gripping realistic context of the era of the French medieval troubadours in which Marie herself lived and wrote. Bradshaw's novelized version also ponders the very human notions of honor, betrayal, identity and longing that resonate in any era.

The hero of the tale is a Breton huntsman-knight called Tiarnan. A fair-minded lord to his serfs, and a pre-Greenpeace crusader for the environment, he has just one minor flaw to his sterling charactr: he likes to go into the forest on a moonlit night, take off his clothes and morph into a wolf. ("Bisclavet," as they say in medieval French.) His shapeshifting abilities are treated like any addiction; he does it for the rush, the thrill of heightened sensory awareness. And, as is the case with most addictions, he’s tried and failed to kick the habit. But his private passion has unexpected consequences when his silly, scheming new bride and her ambitious former suitor discover Tiarnan's secret. Suddenly, his own future and the fate of his entire estate and all the people who love and respect him are at stake.

Bradshaw's tale is a sly nod to the "Beauty And The Beast" legend. But in this case, a beauty is responsible for transforming the hero into a beast when Tiarnan's angry bride prevents him from shifting back into human shape, forcing him to roam the countryside as a wolf. It's up to a somewhat lesser beauty (but a much more valuable woman) to restore him. Bradshaw ingeniously invents a character named Marie (in hommage to the poetess herself) to quietly assume the role of heroine, but in other respects sticks close to the plot of the original lay. Medieval court life is brought to vivid, robust life, while issues of betrayal, redemption and, yes, love, are beautifully handled. Bradshaw is particularly good with Tiarnan's interior struggle to retain his human identity within the body of a wolf. For readers like moi who had no idea there was even a word for werewolf in medieval French, the very idea is a revelation. It's also an irresistible story that makes for a delightful read.

Lisa Jensen is a novelist, critic, and avid reader of historical fiction. She has been a professional film critic for a Santa Cruz, CA newspaper for 27 years. She also reviewed books for the San Francisco Chronicle for 13 years, where her specialty was historical fiction and women's fiction. Her first novel, THE WITCH FROM THE SEA, an historical swashbuckler, was published in 2001.

Please visit her website at www.witchfromthesea.com

Contact Lisa at lisajensen@sbcglobal.net

The Unionist: Book Review

Reviewed by Mark H. Kelly
This article first appeared in the Morgan County Citizen, October 31, 2002

Every historical event has an inside angle or issue that isn’t recognized for its impact on individuals or communities. When the subject of the American Civil War is introduced into discussion, most people focus on the major battles and historical figures.

Perry, Georgia attorney W. Steven Harrell has reached into our nation’s and state’s past with the non-fiction work The Unionist, implementing pain-staking research to resurrect the life and Civil War adventures of Lt. David R. Snelling.

The literary angle readers will immediately be captured by the Milledgeville native’s decision to break against the tide of Southern History and emotions, joining the First Alabama Union Cavalry Regiment.

More than a retelling of battles and actions of historical figures, The Unionist provides readers with an accurate description of plantation life in Milledgeville in the days leading up to the conflict, along with the backroom legislative activities of fire-eaters Robert Toombs, Alexander Stephens and many others.

However, where the book excels is on the home and battles fronts. Snelling’s decisions (as one can imagine) cost him dearly on personal and professional levels, profoundly presenting issues of the era to light.

Once the war begins for Lt. Snelling, Harrell’s skills as a writer jump into the saddle at full gallop with depiction of troop movements and battle capturing readers’ attention. Indeed, smoke often wafts from the pages and bullets zing through the air as soldiers from both sides fall and move from tree to boulder to streambed in search of cover.

There are equally compelling stories of soldier camaraderie, interaction with citizens and the forming of bonds lasting Snelling’s lifetime. Snelling’s adventure takes him to Stones River, Abel Streight’s Raid, Dallas, Monroe’s Cross Roads and Atlanta to Durham Station during Sherman’s March to the Sea.

Civil War and history buffs will find the work engaging and can proudly place it in their collection.

Review of "Treason & Triumph"

Reviewed by Rita Gerlach

At the onset of a war that would leave Europe devastated and the Jewish people raked by the Holocaust of Hate, two women from vastly different worlds, become embroiled in Churchill's plan to thwart the Nazis' plan to produce the first atomic bomb. Trapped in a switch of identity, both women must rely on the traitor to save them.

Treason and Triumph opens with the Spanish Civil War and takes the reader into the nerve center of the Third Reich. It is the late 1930's. Hitler's agenda spreads through Germany like a vile poison. His war machine rages through Europe, bringing insurmountable suffering and destruction, especially to the Jewish people. American journalist, Marla Franklin is sent to cover the war for the London Times. Lady Catherine Rushmore, cousin to Britain's king, is a talented concert pianist forging her way into the heart of England's cultural elite as a talented concert pianist, when she is given an assignment to serve her king and country.

Marla and Catherine are identical in appearance and are recruited into Churchill's Project Amanita. The mission is to penetrate into the heart of the Nazi leadership and carry out a plan of espionage. With patriotic fervor, and unswerving bravery, the two women vow to sacrifice their very lives in order to fulfill their mission along with the Amanita Team.

In the beginning of the story, it is not known that one person on that team is a traitor and spy, a Nazi desirous to see the Nazis win the war and rule the world. As events unfold, suspicions rise. The story continues on a tense pace to discover who the traitor is.

TREASONS & TRIUMPH is a suspenseful World War II thriller. From start start to finish Treason & Triumph is fast paced. Bonnie Toews' novel is not just an entertaining thriller. It is novel that transports the reader into the horrors of World War II. It is vivid in imagery and not for the light hearted reader. Her novel demonstrates a writing skill that all writers should strive for: the ability to tell a story that is real to the reader, and give the reader a greater sense of the duty of mankind. Treason & Triumph shows good and evil, the moral and the immoral. The reader will discover that with there is no greater love than for a man, or woman, to lay his or her life down for a friend. Marla and Catherine are willing to sacrifice their lives in order to save the lives of millions. Treason & Triumph is a compelling story of sacrifice in a time when morals and honor were something of value, challenged by the immorality of Nazi brutality. I highly recommend this book, especially to readers who enjoying stories of WWII. Bonnie Toews knows how to draw a reader in and keep you turning the pages.

Reviewer's bio: Rita Gerlach is the author The Rebel's Pledge, a romantic historical novel of Colonial times. She writes with an inspirational mindset. She has written several articles for The Christian Communicator Magazine, and is preparing to publish a historical series set prior to the American Revolution.

Doing Research for Historical Fiction

By Rita Gerlach

Doing research for the historical novel can either be one of the most tedious jobs for a writer or one of the most enjoyable, besides writing the novel itself. We hear the phrase, "write what you know." Research helps you do just that.

The writer should look at the task of researching as an adventure, an unveiling of facts that perhaps have long been forgotten. Research will help you capture the setting of your novel. It will enable and equip you to make your novel flow and come alive. It will enhance your narrative. It will allow you to help the reader hear, taste, touch, smell, and see the setting as well as your characters.

There are steps you can take to effectively research your novel.

1. The Local Library: Research does not have to be mind-boggling. The first step is researching the location of your novel. Think of who, what, when, where, and why. Your local library is an excellent place to begin.

For example your novel takes place during the War of 1812. The first place I would start for simple and basic historical facts in the juvenile section. There you should find a book outlining the events of the war. Search for the style of dress, modes of transportation, what people ate, music, medicine, etc. Check encyclopedias and reference books.

By now you have gathered some basic information. But how do you find those hidden facts? Where are those untold stories? Reference books and biographies can provide a lot of information. But your best source is your librarian. Ask for help, and tell the librarian you are writing a novel and need additional information the encyclopedias and reference books cannot provide. Your librarian should be able to direct you to the best information available.

When I was writing a novel about 18th century Maryland, I visited "The Maryland Room" at my local library. It is open at certain times of the week and is attended by a librarian. The books for the most part are old, and therefore a treasure-trove of history. It is my belief the older the resource, the more accurate the information.

2. Local Historical Societies: Local historians usually run their historical society. Go in and ask questions. Ask to see any documents that might enhance your vision. Not only do historical societies have original documents and pictures, they might also have works of art and photographs.

3. Historical Sites: If possible, visit the historical sites in your subject area. Attend reenactments. Take a historical tour. Visit sites through the eyes of your characters.

4. New and Used Bookstores: Many out-of-print history books may be found at your used bookstore, and local bookstores may have an excellent history section.

5. The Internet is a wellspring of information. In writing the historical novel, you can find sites on everything from period clothing to detailed historical events. One thing that has helped me in writing my novels is to visit sites with period paintings. Often enough I find portraits of both famous and not so famous historical figures. Interestingly, I find that the book covers of historical novels, especially in the romance genre, do not reflect the way people looked in ages past.

Here are two excellent links for historical content.

PBS's American Experience: http://www.pbs.org/wgbh/amex/

The History Net: http://thehistorynet.com/

Lastly, remember that by gathering significant information you add zest to your story in order to engage readers. However, be alert to the danger of adding too much information. Don't spend so much time on research that you never start writing, that the inspiration begins to fade. Gather just enough material to validate your story historically and hold the reader's interest. Remember you are writing a novel, not a thesis on the history of Whatever Town.

Catherine's Heart: A Victorian Romance

Lawana Blackwell continues her historical fiction "Tales of London" series with Catherine's Heart, the follow-up to the tender and sweet Maiden of Mayfair story. It is now 1880, and Sarah and William, and Naomi and Daniel (Sarah's father), live quite comfortably, even enjoying the very newest technology of the day -- telephones.

The story now focuses on Sarah's cousin, Catherine -- only briefly mentioned in the previous book -- and her years at a women's college. In contrast to Sarah, Catherine has lived a life of ease, sheltered by good parents, education and travels abroad to India. Like Sarah, Catherine sometimes lacks good judgment, especially as regards the intentions of would-be suitors -- a quality developed more intensely than in Sarah's case, which was a rather small plot development in The Maiden of Mayfair. Catherine's girlfriends at school add to a story of the idyllic 1880s college life -- yet a realistic world with its own jealousies and conflicts between close friends.

Back from the first book, and more fully developed, is William's nemesis, Sidney. Rounding out the cast is a rather unpleasant family with over-indulged children, for a full look at a less-than-perfect Victorian world. As with the first book, some notable characters are lacking in good morals and virtue.

The historical context involves the early days of Girton College, an actual women's college opened in 1873 in Cambridge. (The school is still in operation, though as a co-ed school since the late 1970s.) Neighboring Newnham was another women's college in the area, as mentioned in the story. The characters in Catherine's Heart convey, too, the spirit of the school at this time -- its emphasis on a classical education, with additional offerings in science fields, and chaperoned visits to Cambridge a few miles away -- where the women would likely encounter the male college students.

The plot in Catherine's Heart lacks the moving, emotionally-stirring story of an orphan restored to higher English society. Still, the story serves a nice addition to a series about life in Victorian times, with the strength of characters we have come to love from the first book.